Hello from Susan Marlowe CPA. I know that this is a little random, but I have decided to mix things up on my blog just a little bit. Call it blogger’s privilege. I am in the mood to talk about some movies and TV so here we go:
I have been watching movies with my kids so I have become quite familiar with Back to the Barnyard. Without a doubt, the favorite character is Peck the Rooster. All day, my kids want to see Peck. All they talk about is how great it will be to watch Peck. It’s Peck this and Peck that all day long. I like Peck too but sometimes I wish for a new show. Peck!
Another show they cannot get enough of is Rugrats. The favorite character there is Kimi Finster. So, again, the kids want to hear all about Kimi. Kimi this, Kimi that, Kimi Kimi Kimi. A little tiring. Of course, the little ones will not be little forever so I should enjoy their kid behavior while I can.
The movie that I want to see for myself:
http://en.wikipedia.org/wiki/Moby_Dick_(1956_film)
Moby Dick is a 1956 film adaptation of Herman Melville’s novel Moby-Dick. It was directed by John Huston with a screenplay by Ray Bradbury and the director. The film starred Gregory Peck, Richard Basehart, and Leo Genn.
Peck was initially surprised to be cast as Ahab (part of the studio’s agreement to fund the film was that Huston use a “name” actor as Ahab). Peck later commented that he felt Huston himself should have played Ahab. Ironically, Huston had originally intended to cast his own father, the actor Walter Huston in the role, but his father had died by the time the film was made. Peck went on to play the role of Father Mapple in the 1998 television miniseries adaptation of Melville’s novel, with Patrick Stewart as Ahab.
Susan Marlowe CPA Film Review | Moby Dick, Gregory Peck
A myth that was put to rest in cinematographer Oswald Morris’ autobiography, Huston, We Have A Problem, is that no full length whale models were ever built for the production. Previous accounts have claimed that as many as three 60-foot rubber “white whales” were lost at sea during filming making them “navagational hazards.” According to Morris, the Pequod was followed by a barge with various whale parts (hump, back, fin, tail). These were used as needed; and, indeed, one twenty foot cylinder section did come loose from its tow-line and drifted away in a fog. Morris does not say if Gregory Peck was aboard the prop, but the actor was as this has been corroborated by others involved in the production, and was confirmed by Peck in May, 1995, when he spoke at the Orpheum Theater in Minneapolis. 90% of the shots of the white whale are various size miniatures filmed in a water tank in Shepperton Studios in London. Whales and longboat models were built by special effects man, August Lohman, working in conjunction with art director Stephen Grimes. Studio shots also included a life-size Moby jaw and head – with working eyes. The head apparatus which could move like a rocking horse was employed when actors were in the water with the whale. Gregory Peck’s last speech is delivered in the studio while riding the white whale’s hump (a hole was drilled in the side of the whale so Peck could conceal his real leg).
Peck and Huston intended to shoot Herman Melville’s Typee in 1957, but the funding fell through. Not long after, the two had a falling out. According to one biography, Peck discovered to his disappointment, that he had not been Huston’s choice for Ahab, but in fact, was thrust upon the director by the Mirisch brothers at Warner’s to secure financing. Peck felt Huston had deceived him into taking a part for which Peck felt he was ill-suited. Years later, the actor tried to patch up his differences with the director, but Huston, quoted in Lawrence Grobel’s biography The Hustons, rebuked Peck (“It was too late to start over,” said Huston) and the two never spoke to each other again.
In the documentary accompanying the DVD marking the 30th anniversary of the film, Jaws, director Steven Spielberg states his original intention had been to introduce the Ahab-like character Quint (Robert Shaw), by showing him watching the 1956 version of the film and laughing at the inaccuracies therein. However, permission to use footage of the original film was denied by Gregory Peck as he was uncomfortable with his performance.
Gregory Peck Biography:
http://en.wikipedia.org/wiki/Gregory_Peck
Eldred Gregory Peck was born in La Jolla, California, the son of Missouri-born Bernice Mae “Bunny” (née Ayres) and Gregory Pearl Peck, who was a chemist and pharmacist. Peck’s father was of English (paternal) and Irish (maternal) heritage, and his mother was of Scots (paternal) and English (maternal) ancestry. Peck’s father was a Catholic and his mother converted upon marrying his father. Peck’s Irish-born paternal grandmother, Catherine Ashe, was related to Thomas Ashe, who took part in the Easter Rising fewer than three weeks after Peck’s birth and died while on hunger strike in 1917. Peck’s parents divorced by the time he was six years old and he spent the next few years being raised by his maternal grandmother.
Peck was sent to a Roman Catholic military school, St. John’s Military Academy, in Los Angeles at the age of 10. His grandmother died while he was enrolled there, and his father again took over his upbringing. At 14, Peck attended San Diego High School and lived with his father. When he graduated, he enrolled briefly at San Diego State Teacher’s College, (now known as San Diego State University), joined the track team, took his first theatre and public-speaking courses, and joined the Epsilon Eta fraternity. He stayed for just one academic year, thereafter obtaining admission to his first-choice college, the University of California, Berkeley. For a short time, he took a job driving a truck for an oil company. In 1936, he declared himself a pre-medical student at Berkeley, and majored in English. Standing 6’3″ (1.905m) he rowed on the university crew.
The Berkeley acting coach decided Peck would be perfect for university theater work. Peck developed an interest in acting and was recruited by Edwin Duerr, director of the university’s Little Theater. He went on to appear in five plays during his senior year. Although his tuition fee was only $26 per year, Peck still struggled to pay, and had to work as a “hasher” (kitchen helper) for the Alpha Gamma Delta sorority in exchange for meals. Peck would later say about Berkeley that, “it was a very special experience for me and three of the greatest years of my life. It woke me up and made me a human being.” In 1997 Peck donated $25,000 to the Berkeley crew in honor of his coach, the renowned Ky Ebright.
Peck’s first film, Days of Glory, was released in 1944. He was nominated for the Academy Award for Best Actor five times, four of which came in his first five years of film acting: for The Keys of the Kingdom (1944), The Yearling (1946), Gentleman’s Agreement (1947), and Twelve O’Clock High (1949).
The Keys of the Kingdom emphasized his stately presence. As the farmer Ezra “Penny” Baxter in The Yearling his good-humored warmth and affection toward the characters playing his son and wife confounded critics who had been insisting he was a lifeless performer. Duel in the Sun (1946) showed his range as an actor in his first “against type” role as a cruel, libidinous gunslinger. Gentleman’s Agreement established his power in the “social conscience” genre in a film that took on the deep-seated but subtle antisemitism of mid-century corporate America.Twelve O’Clock High was the first of many successful war films in which Peck embodied the brave, effective, yet human fighting man.
Among his other films were Spellbound (1945), The Paradine Case (1947), The Gunfighter (1950), Moby Dick (1956), On the Beach (1959), which brought to life the terrors of global nuclear war, The Guns of Navarone (1961), and Roman Holiday (1953), with Audrey Hepburn in her Oscar-winning role. Peck and Hepburn were close friends until her death; Peck even introduced her to her first husband, Mel Ferrer. Peck once again teamed up with director William Wyler in the epic Western The Big Country (1958), which he co-produced. Peck won the Academy Award with his fifth nomination, playing Atticus Finch, a Depression-era lawyer and widowed father, in a film adaptation of the Harper Lee novel To Kill a Mockingbird. Released in 1962 during the height of the US civil rights movement in the South, this movie and his role were Peck’s favorites. In 2003 Atticus Finch was named the top film hero of the past 100 years by the American Film Institute.
Peck served as the president of the Academy of Motion Picture Arts and Sciences in 1967, Chairman of the Board of Trustees of the American Film Institute from 1967 to 1969, Chairman of the Motion Picture and Television Relief Fund in 1971, and National Chairman of the American Cancer Society in 1966. He was a member of the National Council on the Arts from 1964 to 1966.
A physically powerful man, he was known to do a majority of his own fight scenes, rarely using body or stunt doubles. In fact, Robert Mitchum, his on-screen opponent in Cape Fear, told about the time Peck once accidentally punched him for real during their final fight scene in the movie, he felt the impact for days afterward. Peck’s rare attempts at unsympathetic albeit provocative roles usually fell short. Early on, he played the renegade son in the Western Duel in the Sun and, later in his career, the infamous Nazi doctor Josef Mengele in The Boys from Brazil co-starring Laurence Olivier.
In the 1980s Peck moved to television, where he starred in the mini-series The Blue and the Gray, playing Abraham Lincoln. He also starred with Christopher Plummer, Sir John Gielgud, and Barbara Bouchet in the television film The Scarlet and The Black, about a real-life Roman Catholic priest in the Vatican who smuggled Jews and other refugees away from the Nazis during World War II.
Peck, Mitchum, and Martin Balsam all had roles in the 1991 remake of Cape Fear directed by Martin Scorsese. All three were in the original 1962 version. In the remake, Peck played Max Cady’s lawyer. His last prominent film role also came in 1991, in Other People’s Money, directed by Norman Jewison and based on the stage play of that name. Peck played a business owner trying to save his company against a hostile takeover bid by a Wall Street liquidator played by Danny DeVito.
Peck retired from active film-making at that point. Like Cary Grant before him, Peck spent the last few years of his life touring the world doing speaking engagements in which he would show clips from his movies, reminisce, and take questions from the audience. He did come out of retirement for a 1998 miniseries version of one of his most famous films, Moby Dick, portraying Father Mapple (played by Orson Welles in the 1956 version), with Patrick Stewart as Captain Ahab, the role Peck played in the earlier film.
Peck had been offered the role of Grandpa Joe in the 2005 film Charlie and the Chocolate Factory, but died before he could accept it. David Kelly was then given the part.
In October 1942 Peck married Finnish-born Greta Kukkonen, with whom he had three sons, Jonathan (b. 1944), Stephen (b. 1946), and Carey Paul (b. 1949). They were divorced on December 30, 1955, but maintained a very good relationship. Jonathan Peck, a television news reporter, committed suicide in 1975. Stephen Peck is active in support of American veterans from the Vietnam War; his first wife is screenwriter Kimi Peck, who co-wrote Little Darlings with Dalene Young. Carey Peck had political ambitions, running for Congress in California in 1978 and again in 1980 with the support of his father and family. He narrowly lost to conservative Republican Bob Dornan.
On December 31, 1955, the day after his divorce was finalized, Peck married Veronique Passani, a Paris news reporter who had interviewed him in 1953 before he went to Italy to film Roman Holiday. He asked her to lunch six months later and they became inseparable. They had a son, Anthony, and a daughter Cecilia Peck. The couple remained married until Gregory Peck’s death.
Peck had grandchildren from both marriages. Stephen has a stepdaughter and a son from his third marriage to artist Francine Matarazzo. His stepdaughter Marisa Matarazzo is a fiction writer and her brother Ethan Peck is an actor. Carey has a daughter Marisa from his marriage to Kathy Peck as well as two stepdaughters, Isabelle and Jasmine, and a son Christopher with artist Lita Albuquerque. Anthony has a son, Zack, from his marriage to model Cheryl Tiegs. Cecilia has two children with writer Daniel Voll, son Harper and daughter Ondine.
Peck owned the thoroughbred steeplechase race horse Different Class, which raced in England. The horse was favored for the 1968 Grand National but finished third. Peck was close friends with French president Jacques Chirac.
Peck was a practicing Roman Catholic, although he disagreed with the Church’s positions on abortion and the ordination of women.
Peck was nominated for five Academy Awards, winning once. He was nominated for The Keys of the Kingdom (1945), The Yearling (1946), Gentleman’s Agreement (1947) and Twelve O’Clock High (1949). He won the Academy Award for Best Actor for his role as Atticus Finch in the 1962 film To Kill a Mockingbird. In 1968 he received the Academy’s Jean Hersholt Humanitarian Award.
Peck also received many Golden Globe awards. He won in 1947 for The Yearling, in 1963 for To Kill a Mockingbird, and in 1999 for the TV mini series Moby Dick. He was nominated in 1978 for The Boys from Brazil. He received the Cecil B. DeMille Award in 1969, and was given the Henrietta Award in 1951 and 1955 for World Film Favorite — Male.
In 1969 US President Lyndon Johnson honored Peck with the Presidential Medal of Freedom, the nation’s highest civilian honor. In 1971 the Screen Actors Guild presented Peck with the SAG Life Achievement Award. In 1989 the American Film Institute gave Peck the AFI Life Achievement Award. He received the Crystal Globe award for outstanding artistic contribution to world cinema in 1996.
In 1986 Peck was honored alongside actress Gene Tierney with the first Donostia Lifetime Achievement Award at the San Sebastian Film Festival Spain for their body of work.
In 1993, Peck was awarded with an Honorary Golden Bear at the 43rd Berlin International Film Festival.
In 1998 he was awarded the National Medal of Arts.
In 2000 Peck was made a Doctor of Letters by the National University of Ireland. He was a founding patron of the University College Dublin School of Film, where he persuaded Martin Scorsese to become an honorary patron. Peck was also chairman of the American Cancer Society for a short time.
For his contribution to the motion picture industry, Gregory Peck has a star on the Hollywood Walk of Fame at 6100 Hollywood Blvd. In November 2005 the star was stolen, and has since been replaced.
On April 28, 2011, a ceremony was held in Beverly Hills, California celebrating the first day of issue of a U.S. postage stamp commemorating Peck. The stamp is the 17th commemorative stamp in the Legends of Hollywood series.
Thanks from Susan Marlowe CPA!
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